| Poetry |
| Jennifer K. Sweeney |
The Returning |
| Mary Biddinger |
Cooperative Efforts |
|
Ode to Your Innocence |
| Mary Beth Ferda |
Mysore |
|
Meeting in the Daytime |
| Nicholas Reading |
The Pockets of Ollie Grooms |
|
Missive and a Coffin |
|
Packing the Truck |
|
Paper Moon |
| Hailey Leithauser |
Ceci N’est Pas une Poésie |
|
The Moon Speaks of Things that Go Bump in the Night |
| Bob Hicok |
Watching my father watch (seriously) “Joy in a Can” |
|
Black hole, white whale |
| Priscilla Becker |
Only Something |
|
Logic |
| Mark Neely |
Lorenzo on the Stoop |
| Malachi Black |
Under an Eclipsing Moon |
|
Dining after Dawn |
|
Sleepwalker, Lost |
| Kim Chinquee |
I Ate the Insides |
| Jordan Davis |
For Dylan Moran, or After Him |
|
Poem |
|
The Shouting |
|
What Goes, What Stays |
|
The Idea Itself |
| Mariela Griffor |
Cattys |
| Connie Voisine |
After The First Road |
| Christine Garren |
The Predator |
|
The Star |
| Charmi Keranen |
Seney |
|
The Teeth of My Existence are Buriedin the Wall |
| Claudia Burbank |
The Pleasant Grove Home for Men |
| Tim Lockridge |
It Is Time to Return |
| Pamela McClure |
Recitation |
| August Segrest |
Heaney and Rick |
| Joseph Wood |
Entering Vegas from the East, Wee Hours |
| John Poch |
Sevilla |
| Jim Daniels |
Sonnet in the Key of M (Mature) |
| Paul Scot August |
Railroad Bridge, Rice Lake, Wisconsin |
| Sarah Maclay |
The Faith of the Skeleton |
|
Cut City |
|
The Blunt Edge of Wanting |
| Jonathan Johnson |
In |
|
Please |
| Naoko Fujimoto |
February |
|
Eyelashes, Four |
|
A Pianist |
| B.J. Best |
Sudden Prayer |
|
Sudden Prayer for the Climbing Tree |
|
Sudden Prayer for Poison Ivy |
| Jane Mead |
The Narrows |
|
Vacuum Drama |
| Travis Mossotti |
Funhouse of Mirth |
| Maia Rauschenberg |
The Day That Spaceship |
| Jamie Brunton |
Reclaimed Land, Saltlick Township Road |