Redefining north.
by Matthew Tuckner
Frederick Sommer, gelatin silver print, 1939
The photograph cannot distinguish
between the properties of matter.
What did this. What in the world. What urge
to vault across, the thought driving
the body beneath the wheel that runs the rabbit
full throttle into the asphalt.
There is no eye here. The photograph
discards it. How far, it asks. How deep
will you dive to find it, scouring
the gravel for the matter at hand,
the embryo of almost that splits
the living body from the look closer
of intestine, the rocks mistaken
please forgive me for bone.
The photograph cannot distinguish
between property & matter.
To own what is flattened, it flattens further.
Pay attention, it asks the eye sockets.
Stay still, it asks the burst of blood,
the blur of road, the grass sprouting,
brand new, from the torso.
I am trying to see this.
Matthew Tuckner received his MFA in creative writing at NYU and is currently a PhD student in English/creative writing at University of Utah, where he edits Quarterly West. His debut collection of poems, The Decline and Fall of the Roman Empire, is forthcoming from Four Way Books in Fall 2025. His chapbook, Extinction Studies, is the winner of the 2023 Sixth Finch Chapbook Prize. His poems have appeared or are forthcoming in AGNI, American Poetry Review, Kenyon Review, The Nation, The Adroit Journal, and Best New Poets, among others.